RME Fireface 802 USB & FireWire Audio Interface

The Firewire 802 is a high-end 60 channel USB & FireWire audio interface with improved usability

Key Features:

  • New look with improved usability
  • Dedicated Control Room section for the main output
  • Four definable groups for Solo, Mute and Faders
  • Switchable Mono and Stereo channel view
  • Channel Options: Stereo Width, MS Processing, Phase L/R
  • Trim mode

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    Product Code: 400021140

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    RME's Fireface 802 lives up to the reputation forged by its predecessor, being a highly integrated pro audio solution, a full-blown studio, packed in a 19 enclosure. It retains the look and feel that made the Fireface 800 world famous, but with RME's latest technology inside that continues to rock musicians and producers around the world. The RME Fireface 802 is uncompromising in sound, stability and ultra-low latency operation, and provides an unrivalled professional feature set with identical operation on Windows PC and Mac.

    Technical Specifications

    AD, Line In 1-8, rear

    Resolution AD: 24 bit
    Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
    Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
    Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz
    Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
    THD: < -110 dB, < 0.00032 %
    THD+N: < -104 dB, < 0.00063 %
    Channel separation: > 110 dB
    Input: 6.3 mm TRS jack, electronically balanced
    Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced
    Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
    Input level for 0 dBFS @ Lo Gain: +19 dBu
    Input level for 0 dBFS @ +4 dBu: +13 dBu

    Microphone In 9-12, front

    As AD, but:

    Input: XLR, electronically balanced
    Input impedance: 3.4 kOhm
    Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA
    Gain range: 54 dB
    Maximum input level, Gain +6 dB: +10 dBu

    Instrument In 9-12, front

    As AD, but:

    Input: 6.3 mm TS jack, unbalanced
    Input impedance: 800 kOhm
    Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
    Maximum input level, Gain +6 dB: +21 dBu

    DA, Line Out 1-8, rear

    Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
    Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz
    Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz
    Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
    THD: -110 dB, < 0.00032 %
    THD+N: -104 dB, < 0.00063 %
    Channel separation: > 110 dB
    Output: 6.3 mm TRS jack, servo-balanced
    Output impedance: 75 Ohm
    Output level switchable Hi Gain, +4 dBu, -10 dBV
    Output level at 0 dBFS @ Hi Gain: +19 dBu
    Output level at 0 dBFS @ +4 dBu: +13 dBu
    Output level at 0 dBFS @ -10 dBV: +2 dBV

    DA - Stereo Monitor Output Phones (9-12)

    As DA, but:

    Output: 6.3 mm TRS stereo jack, unbalanced
    Maximum output level at 0 dBFS, High: +16.8 dBu
    Maximum output level at 0 dBFS, Low: +2 dBV
    Output impedance: 30 Ohm

    AES/EBU

    2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992

    ADAT Optical

    2 x TOSLINK I/O, format according to Alesis specification
    Standard: 2 x 8 channels 24 bit, up to 48 kHz
    Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
    Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
    Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz


    SPDIF optical (via ADAT2)

    1 x optical, according to IEC 60958

    Word Clock

    BNC, switchable termination

     

     
  • New look with improved usability
  • Dedicated Control Room section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.
  • Four definable groups for Solo, Mute and Faders
  • Switchable Mono and Stereo channel view
  • Channel Options: Stereo Width, MS Processing, Phase L/R
  • Trim mode: Adjusts the volume for all routed signals of a channel simultaneously, equalling a hardware's trim functionality as well as a Post-FX Send function.
  • Unlimited Undo and Redo
  • FX Sends and Returns: One send bus for every input/playback channel with Reverb/Echo
  • Expandable channel view for channel settings, EQ and Dynamics
  • Slim channel mode for selected or all channels, to save space or give a meter bridge view
  • 2 Row Mode: reduces the height of the mixer to two rows for smaller displays
  • Reworked Matrix with mono/stereo mode, Undo/Redo, display of phase and mute
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